Original American Pop Art Multi Media "Pancake Eater" Plexiglass Artist's Proof By Red Grooms 1981
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BB-10072
The Pancake Eater, 1981 by Red Grooms (b. 1937), an Artist's Proof, 2 of 9 (apart from the edition of 31).
Multi-layer lithograph and silkscreen in 31 colors with gold radiance powder.
Cut out collage and vinyl window shade with pull-cord in original acrylic box frame. A wonderful & whimsical piece of Pop Art by one of America's most famous Pop Artists, Please see video attached.
Signed and dated in red pencil, lower right, an Artist's Proof numbered 2 of 9 on a brass plaque affixed to the reverse of the original acrylic box frame.
Co-published by Brooke Alexander, Inc. and Marlborough Gallery, Inc., New York. Condition is excellent.
Born in Nashville Tennesee in 1937 Red Grooms is a; "Sculptor, painter, installation artist, filmmaker, and printmaker. An eager participant in late 1950s happenings, in the 1960s he developed high-spirited, mixed-media environmental sculpture on an enormous scale. In these “sculpto-pictoramas,” as he has called them, multiple, life-size, cartoonish figures inhabit sharply observed localities, usually areas of New York. Related to pop art, his zany work often carries a sarcastic edge but not at the expense of good-natured hilarity. It also plays on nostalgia that stems from the artist's evident affection for his acutely rendered subjects, as befits an admirer of Edward Hopper's paintings. Charles Roger Grooms left Peabody College there to enroll in the School of the Art Institute of Chicago for a year. He then decamped for New York to continue his studies at the New School for Social Research (now New School). He also attended Hans Hofmann's summer school in Provincetown. In the late 1950s, along with Allan Kaprow, Jim Dine, Claes Oldenburg, and others, he pioneered the creation of happenings. "
Multi-layer lithograph and silkscreen in 31 colors with gold radiance powder.
Cut out collage and vinyl window shade with pull-cord in original acrylic box frame. A wonderful & whimsical piece of Pop Art by one of America's most famous Pop Artists, Please see video attached.
Signed and dated in red pencil, lower right, an Artist's Proof numbered 2 of 9 on a brass plaque affixed to the reverse of the original acrylic box frame.
Co-published by Brooke Alexander, Inc. and Marlborough Gallery, Inc., New York. Condition is excellent.
Born in Nashville Tennesee in 1937 Red Grooms is a; "Sculptor, painter, installation artist, filmmaker, and printmaker. An eager participant in late 1950s happenings, in the 1960s he developed high-spirited, mixed-media environmental sculpture on an enormous scale. In these “sculpto-pictoramas,” as he has called them, multiple, life-size, cartoonish figures inhabit sharply observed localities, usually areas of New York. Related to pop art, his zany work often carries a sarcastic edge but not at the expense of good-natured hilarity. It also plays on nostalgia that stems from the artist's evident affection for his acutely rendered subjects, as befits an admirer of Edward Hopper's paintings. Charles Roger Grooms left Peabody College there to enroll in the School of the Art Institute of Chicago for a year. He then decamped for New York to continue his studies at the New School for Social Research (now New School). He also attended Hans Hofmann's summer school in Provincetown. In the late 1950s, along with Allan Kaprow, Jim Dine, Claes Oldenburg, and others, he pioneered the creation of happenings. "
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